Event Summary
The Brutalist Movement of the 1950s-1980s got its name in part from the French phrase béton brut—”raw concrete”. It inspired artists and architects to create works that solved societal ills: income inequality, housing and food shortages, and political instability in the wake of two world wars.
Their achievements still sing through the decades in the forms of public housing design, modular furniture, and bold, legible typefaces. Adornment was eschewed, but beauty was not...the woodgrain texture of plywood formwork is still visibly embedded in concrete surfaces, rust is allowed to express its nature, glass is not just a window but a portal uniting inside and outside, and paint is applied with no intention of illusion.
February’s call invited artists to create works influenced by Brutalism, showing us pure materials, utility and economy, and a message—either literal or implied—that what the world needs now is authenticity, raw and concrete.
Their achievements still sing through the decades in the forms of public housing design, modular furniture, and bold, legible typefaces. Adornment was eschewed, but beauty was not...the woodgrain texture of plywood formwork is still visibly embedded in concrete surfaces, rust is allowed to express its nature, glass is not just a window but a portal uniting inside and outside, and paint is applied with no intention of illusion.
February’s call invited artists to create works influenced by Brutalism, showing us pure materials, utility and economy, and a message—either literal or implied—that what the world needs now is authenticity, raw and concrete.
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Also Occurs On
- Friday, February 6
- Saturday, February 7
- Tuesday, February 10
- Wednesday, February 11
- Thursday, February 12
- Friday, February 13
- Saturday, February 14
- Tuesday, February 17
- Wednesday, February 18
- Thursday, February 19
- Friday, February 20
- Saturday, February 21
- Tuesday, February 24
- Wednesday, February 25
- Thursday, February 26
- Friday, February 27
- Saturday, February 28
